Re: The women of White Collar squee fest

Date: 2013-06-11 09:29 pm (UTC)
veleda_k: Sara From White Collar (White Collar: Sara)
From: [personal profile] veleda_k
I'm not at my home computer which has all my bookmarks, but here's some to get you started.

Elizabeth:

Monday's Child by [personal profile] sholio: AU- the one in which Neal meets Elizabeth first. (El/Neal)

Survivor by [personal profile] sholio: This isn't how Elizabeth planned her vacation: stranded in the woods with a badly injured husband, below-freezing temperatures, and a killer in pursuit, her nearest ally -- Neal -- a hundred miles away at the other end of a cell phone. Written for the Girl Saves Boy Ficathon on LJ (and also to fill the "stranded/survival scenario" square on my hc_bingo card). (Gen, with canon El/Peter)

Lies That Set You Free by [personal profile] frith_in_thorns: Elizabeth gets a ransom demand for Peter and Neal. She also gets severely underestimated. (Spoilers through S3. Gen with canon El/Peter)

Bruised, Not Beaten by [personal profile] sahiya: Sometimes PTSD doesn't look like PTSD. (S3 spoilers. Gen with El/Peter)


Kate:

The Devil and the Deep Blue Sea by [livejournal.com profile] florastuart: The sharks have been behind them for months, now. (Kate/Neal)

Penelope Weaving by [livejournal.com profile] florastuart: She’s never liked chess, and this is chess played in the dark and blindfolded, and all the pieces are broken glass. Kate’s POV of season 1. (Kate/Neal)

Something Spectacular by [livejournal.com profile] lionessvalenti: When Neal tells Kate of his true identity, she's not sure if Neal Caffrey is someone she wants to know, but he's out to prove that he's the one for her. (Kate/Neal. Less focused on Kate than the others, but still a nice look at her.)

A Thousand Lovers and Me by Misura: It's quite probably the second best year of Kate's life. (Kate, Neal and Mozzie in the early days) (Kate/Neal)


Sara:

The Ties That Bind by [personal profile] sahiya: How Sara Ellis became part of Neal Caffrey's family. (Neal/Sara)

Something Comfortable by [personal profile] sahiya: Sara considers herself competent in any number of areas - including two forms of martial arts, three languages, and the circumvention of the most common high-end security systems - but she's never been good with vulnerability. In fact, one might say she's allergic to it. (Sara/Neal)

Backwards, In Heels by [personal profile] sholio: Six months after Neal gets back from the islands, Sara decides to take matters into her own hands (Early S4 spoilers. Neal/Sara)

Yes, Miss Shepard by [livejournal.com profile] lionessvalenti: After the case is over, Sara goes to see Shepard to pay for everything she'd done. (S4 spoilers. Sara/Landon Shephard, explicit)

Girl on the Side by [livejournal.com profile] lionessvalenti: Girl meets boy. Boy is in relationship with two other people. Girl and boy try to make it work. (Sara/Neal, Peter/El/Neal)


Diana:

Breakout by [personal profile] sholio: For 10Tropes - "Kicking Ass in All Her Finery". Bad guys tend to underestimate Diana, especially when she's wearing a cocktail dress and high heels. That's their first (and last) mistake. (Gen)

Safety First by [personal profile] sholio: The package was sitting on Diana's desk when she walked through the glass doors of the White Collar unit (Diana/Christie)

this is the story of the boys who loved you by [personal profile] frith_in_thorns: You don't put your feelings in the report. (Gen. Trigger warnings for consent issues)

The Never We've Been Told Before by [personal profile] frith_in_thorns: "They wouldn't let me go to Prom." (Gen with Diana/OFC)

I Am Not A Damsel In Distress (and I have been fighting the good fight) by [personal profile] elrhiarhodan: Four things that Charlie taught Diana about life and how to live it. (Mostly gen with Diana/OFC and Diana/Christie)


June:

Fool's Gold by [livejournal.com profile] florastuart: Sometimes the real thing is overrated. (Gen)

Keep your memories (but keep your powder dry too) by [livejournal.com profile] florastuart: June has been a lookout and a hand to hold, a shoulder to cry on and a getaway driver; now when nothing else is left she knows how to hold the retreat. (Gen)
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